L'humà i la política. Una obra de teatre en tres actes i un epíleg

Salvatella Blanch, Martina
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An empty stage, plunged into absolute darkness. Humanity is turning a stark eye: an unravelled setting, saturated with strangely dressed characters. He rises from a divan difficultly and, with the pose of a candid who for the first time has been able to use his eyes, walks through the dance hall as if it were a museum: meticulously observing each smile, color, gesture, grotesque, wrinkle and mole; studying parsimonously to each entity in the room, to each unknown disguised as simplicity. In order to be able to conclude what it is and who it is looking for ​
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