Voces de la memoria: fonografía y sonidos de guerra = Voices of memory: phonography and sounds of war

Text Complet
In recent decades, we have witnessed many compositions that use sound recordings in places at war. These involve some fundamental ethical and aesthetic considerations such as the aesthetic dimension of war. Taking this as a starting point, which will serve as a background hum, this text examines the works of Christine Renaudat and Arsenije Jovanovic to question the following: the role of the technical means used in such recordings; the ethical and aesthetic question of the origin of sounds; and the role of montage in relation to the composition and perception of the works. The article concludes by alluding to perceptual problems involving the audibility of war compared to the audiovisual narratives of war found in the media and often also in museums ​
Aquest document està subjecte a una llicència Creative Commons:Reconeixement - No comercial - Sense obra derivada (by-nc-nd) Creative Commons by-nc-nd3.0