DUGiDocsUna lectura de 'Esperando a Godot' y 'Fin de partida' a través de la melancolía = The Reading of Waiting for Godot and Endgame through Melancholy
Text Complet
By reading Waiting for Godot (1953) and Endgame
(1957) through the Freudian concept of
melancholy, this article is an attempt to examine
the mechanisms that legitimate Beckett’s theatre. In
a post-catastrophe scenery where the word seems
to have been devoid of meaning, Beckett finds the
formula to create dramas without these being vain,
and it is through the analysis of elements such as
time, space and memory that the structure of his
theater is exposed. Thus what was denominated
as Theatre of the Absurd becomes filled with
authentic meaning
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