Barradas' Vibrationism and its Catalan Contex
dc.contributor.author
dc.date.accessioned
2017-02-09T08:22:36Z
dc.date.available
2017-02-09T08:22:36Z
dc.date.issued
2016-07-15
dc.identifier.uri
dc.description.abstract
Rafael Barradas' Vibrationism is often recognised, together with Planism and Ultraism, as one of the first avant-garde movements to emerge in Spain. However, little attention has been paid to its intellectual roots and its Catalan and European context. This paper will examine the birth of Vibrationism as the Uruguayan painter's response to his contact both with the European avant-garde, in particular Futurism and Simultaneism, and especially with the Catalan context in which it appeared. The brief story of the movement shows us how some of the more consistent answers to the pictorial issues raised by the European avant-garde of the 1910s were to be found in what has traditionally been understood as its periphery
dc.format.mimetype
application/pdf
dc.language.iso
eng
dc.publisher
RIHA-International Association of Research Institutes in the History of Art
dc.relation.isformatof
Reproducció digital del document publicat a: http://www.riha-journal.org/articles/2016/0131-0140-special-issue-southern-modernisms/0135-faxedas-brujats
dc.relation.ispartof
RIHA. Journal of International Association of Research Institutes in the History of Art, 2016, art. 0135
dc.relation.ispartofseries
Articles publicats (D-H)
dc.rights
Attribution-NonCommercial-NoDerivs 3.0 Spain
dc.rights.uri
dc.title
Barradas' Vibrationism and its Catalan Contex
dc.type
info:eu-repo/semantics/article
dc.rights.accessRights
info:eu-repo/semantics/openAccess
dc.embargo.terms
Cap
dc.type.version
info:eu-repo/semantics/publishedVersion
dc.identifier.eissn
2190-3328