Cartographies of Simultaneity
dc.contributor.author
dc.date.accessioned
2016-09-08T06:20:15Z
dc.date.available
2016-09-08T06:20:15Z
dc.date.issued
2015-12
dc.identifier.issn
2374-2321
dc.identifier.uri
dc.description.abstract
Reading Bruce Chatwin's The Songlines, the Australian landscape appears, in the Dreamtime, like a musical score in which the lines of different songs make up a cartography of simultaneity. After centuries of sedentary lifestyle, 20th Century man lends his ear to his sonic city. From the futurist Luigi Russolo to Murray Schafer, we could draw an arc which would demonstrate the tension of sedentary man's listening. During the first half of the 20th Century, man opens his ears to the sounds of the city builds instruments which reproduce the sounds that machines produce. Later, when the hum of the streets is unbearable to him, then his ears will attune to the pressure of the sound and to his ecological and aesthetic analysis. In consequence, a sonic cartography becomes a map which attends to the distribution of a simultaneity of lines which are difficult to reconcile; demonstrating the formation of geographical-sonic strata which correspond to different kinds of classes and cultures. Sonic cartographies are ultimately a guide as to the place where each listener resides in this territory and the way in which he aims to interact with it. Each sonic cartography of a city reveals a multiplicity of cities to the ear. In a sonic cartography the ear recovers its nomadism because the sound is subjected to constant change. Along with sonic/acoustic ecology we would also have to consider what Guattari calls 'mental ecology'. This mental ecology could permit the intoning of the city we want to create and listen to
dc.format.extent
13 p.
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application/pdf
dc.language.iso
eng
dc.publisher
American Research Institute for Policy Development
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Reproducció digital del document publicat a: http://dx.doi.org/10.15640/ijaah.v3n2p2
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© International Journal of Art and Art History, 2015, vol. 3, núm. 2, p. 17-29
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Articles publicats (D-H)
dc.rights
Tots els drets reservats
dc.source
Pardo Salgado, Carmen 2015 Cartographies of Simultaneity International Journal of Art and Art History 3 2 17 29
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dc.title
Cartographies of Simultaneity
dc.type
info:eu-repo/semantics/article
dc.rights.accessRights
info:eu-repo/semantics/openAccess
dc.type.version
info:eu-repo/semantics/publishedVersion
dc.identifier.doi
dc.identifier.idgrec
025537
dc.identifier.eissn
2374-233X