http://hdl.handle.net/10256/7194 2025-05-23T21:35:34Z 2025-05-23T21:35:34Z Clarissó, Gemma Gisbert, Eugènia Viñolas i Solés, Mariona http://hdl.handle.net/10256/24378 2024-02-27T15:55:31Z 2023-01-01T00:00:00Z

Ressenyes bibliogràfiques Clarissó, Gemma; Gisbert, Eugènia; Viñolas i Solés, Mariona Ressenyes bibliogràfiques

2023-01-01T00:00:00Z Menichetti, Caterina http://hdl.handle.net/10256/24376 2024-02-27T16:03:34Z 2023-01-01T00:00:00Z

Una "Gelegenheittsammlung" catalana del canzoniere R (BnF, fr. 22543)? Menichetti, Caterina L’articolo esamina la serie finale della sezione R2 dello Chansonnier d’Urfé (R_162-R_193). Combinando l’analisi dell’epoca e dei contesti di produzione delle liriche; l’esame della loro tradizione manoscritta; e lo studio delle tecniche di compilazione del canzoniere C, parallelo di R, si avanza l’ipotesi che la sezione R2 sia debitrice di una raccolta d’occasione assemblata a ridosso del 1250, e particolarmente esposta a materiali di ascendenza catalana e a testi di ambiente italiano di argomento latamente «imperiale»; The article is devoted to the final part of the Chansonnier d’Urfé section called R2 (R_162-R_193). Managing the analysis of the time and contexts of production of the poems; the examination of their manuscript tradition; and the study of the compilation techniques of songbook C, the hypothesis is put forward that R2 is indebted to a collection assembled around 1250, and exposed to material of Catalan ascendancy and to texts of Italian origin of «imperial» setting

2023-01-01T00:00:00Z Barsotti, Susanna http://hdl.handle.net/10256/24374 2024-02-27T16:06:32Z 2023-01-01T00:00:00Z

Semantica della voce: la "voz rauca" nella lirica occitanica Barsotti, Susanna Nei trovatori la connotazione «rauca» della voce genera un giudizio qualitativo che può definire non solo il sentimento che accompagna la composizione, ma anche e soprattutto il grado stilistico del prodotto poetico. Scopo dell’indagine è di inquadrare la voce in virtù della sua natura spiritale e di porre in relazione questo aspetto con il carattere pneumo-fantasmatico dell’amore e del linguaggio, nonché con la dimensione espressivo-affettiva dell’io lirico. Il valore stilistico della raucedine verrà convalidato e integrato, in questa prospettiva, tramite confronti con occorrenze tardo-antiche o mediolatine (Isidoro di Siviglia, Marbodo da Rennes, Baudri de Bourgueil) e prove di impianto filosofico; In the Old Occitan lyric, the «rauca» voice implies a qualitative judgment that can define not only the feeling that accompanies the composition, but also the stylistic level of the poetry. Aim of this study is to frame the voice by its spiritual nature and to relate this aspect to the pneumo-phantasmatic character of love and language, as well as to the espressive-affective dimension of the lyric ego. The stylistic value of the hoarse voice will be validated and supplemented by comparisons with late-ancient or Middle-Latin occurrences (Isidore of Seville, Marbodo of Rennes, Baudri of Bourgueil) and tests of philosophical plant

2023-01-01T00:00:00Z Taylor, Barry http://hdl.handle.net/10256/24372 2024-02-27T16:02:30Z 2023-01-01T00:00:00Z

Reflections on the Circulation of Wisdom Literature in Late Medieval Aragon and Castile Taylor, Barry This article studies three stages in the circulation of wisdom literature in Aragon and Castile in the later Middle Ages: 1) Origins: wisdom texts in romance were preceded by texts in Arabic, Hebrew and Latin. By the time these romance texts appeared there was a highly developed (in terms of aids for the reader) of florilegia in Latin which, often dependent on other florilegia, preserved a wide range of authors, both familiar and rare. 2) Manuscript context: a conspectus of the manuscripts in which the vernacular texts are found suggests that scribes (or perhaps rather editors) had a sense of what defined wisdom as a genre. 3) Consumption: the article concludes with the use which romance authors made of the Latin florilegia and testifies to the function of these florilegia as a network of knowledge

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