2024-03-29T12:40:49Zhttp://dugi-doc.udg.edu/dspace-oai/requestoai:dugi-doc.udg.edu:10256/149362020-02-12T08:29:09Zcom_10256_8749com_10256_329com_10256_2947col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14936/ore.xml
2018-01-26T12:22:51Z
2018-01-26T12:22:51Z
DUGiDocs
Editorial [CP, Volum 6, número 12, 2017]
Echazarreta Soler, Carmen
2018-01-26T12:22:51Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149372020-02-12T08:29:58Zcom_10256_8749com_10256_329com_10256_2947col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14937/ore.xml
2018-01-26T12:25:24Z
2018-01-26T12:25:24Z
DUGiDocs
Presentación [CP, Volum 6, número 12, 2017]
Antich, Xavier
2018-01-26T12:25:24Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149382020-02-12T08:30:28Zcom_10256_8749com_10256_329com_10256_2947col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14938/ore.xml
2018-01-26T12:30:36Z
2018-01-26T12:30:36Z
DUGiDocs
Prentación: sobre el carácter camaleónico de la fotografia
Guerra, Ana María
2018-01-26T12:30:36Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149392021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14939/ore.xml
2018-01-26T12:37:16Z
2018-01-26T12:37:16Z
DUGiDocs
Fantasmas que no hacen temblar: la fotografía de espectros como influjo creativo = Ghosts that don’t give you the shivers: photography of spectres as a creative influence
Ferrer Ventosa, Roger
2018-01-26T12:37:16Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149402021-07-01T10:18:18Zcom_10256_8075com_10256_2943com_10256_1247com_10256_8749com_10256_329com_10256_2947col_10256_19759col_10256_10899col_10256_1545col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14940/ore.xml
2018-01-26T12:44:27Z
2018-01-26T12:44:27Z
DUGiDocs
Las imágenes para John Ruskin: una aproximación = Images under John Ruskin’s gaze: an approach
Crous Costa, Neus
2018-01-26T12:44:27Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149492021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14949/ore.xml
2018-01-29T12:18:45Z
2018-01-29T12:18:45Z
DUGiDocs
Una aproximación al pictorialismo en Cataluña: cuerpo, alegoría y paisaje en la fotografía de Vilatobà, Pla Janini, Masana y Casals Ariet = An approach to Catalan Pictorialism: body, allegory and landscape in Vilatobà’s, Pla Janini’s, Masana’s and Casals Ariet’s photography
Ribot-Bayé, Cristina
2018-01-29T12:18:45Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149522021-07-01T10:18:18Zcom_10256_2943com_10256_1247com_10256_8749com_10256_329com_10256_2947col_10256_10899col_10256_1545col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14952/ore.xml
2018-01-29T12:46:56Z
2018-01-29T12:46:56Z
DUGiDocs
Hannah Höch: el fotomuntatge com a cartografia de la violència = Hannah Höch: Photomontage as a Cartography of Violence
Balsach, Maria-Josep
2018-01-29T12:46:56Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149512021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14951/ore.xml
2018-01-29T12:39:50Z
2018-01-29T12:39:50Z
DUGiDocs
Los dispositivos de la modernidad como problema: a Negra de Tarsila do Amaral y la fotografía del siglo XIX = The visual devices of modernity as a problem: a Negra of Tarsila do Amaral and the photography of the nineteenth century
Duarte-Feitoza, Paulo H.
2018-01-29T12:39:50Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149562021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14956/ore.xml
2018-01-30T08:11:18Z
2018-01-30T08:11:18Z
DUGiDocs
Leni Riefenstahl y Robert Mapplethorpe: dos visiones distintas de objetivación del cuerpo de la mujer deportista = Leni Riefenstahl and Robert Mapplethorpe: two different ways of objectifying the sportswoman’s body
Fontbona Mola, Isabel
2018-01-30T08:11:18Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149572021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14957/ore.xml
2018-01-30T08:32:09Z
2018-01-30T08:32:09Z
DUGiDocs
Construir y desconstruir: las prácticas de comisariado en la obra de Joan Fontcuberta = Constructing and deconstructing: the curatorial practices in Joan Fontcuberta’s work
Lorenzo, Ariadna
2018-01-30T08:32:09Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149582023-04-24T12:09:19Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14958/ore.xml
2018-01-30T08:40:50Z
2018-01-30T08:40:50Z
DUGiDocs
Allò que no es veu en una fotografia: entre Tacita Dean i W.G. Sebald = What is not seen in a photograph: between Tacita Dean and W.G. Sebald
Faxedas, Maria Lluïsa
2018-01-30T08:40:50Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149592021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14959/ore.xml
2018-01-30T08:46:18Z
2018-01-30T08:46:18Z
DUGiDocs
Del archivo físico al archivo virtual: reflexiones sobre la desmaterialización de la fotografía = From the Analog Archive to the Digital Archive: Reflections on the Dematerialisation of Photography
Guerra, Ana María
2018-01-30T08:46:18Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149602021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14960/ore.xml
2018-01-30T08:54:02Z
2018-01-30T08:54:02Z
DUGiDocs
Del taller mecánico al mundo complementario: los fotomontajes de Art Ringger = From the mechanical workshop to the complementary world: the photomontages of Art Ringger
Recasens Vert, Maria
2018-01-30T08:54:02Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149612021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14961/ore.xml
2018-01-30T09:05:18Z
2018-01-30T09:05:18Z
DUGiDocs
La construcción y simulación de la identidad en la fotografía de autorretrato del siglo XXI = Construction and simulation of the identity in the photographic self-portrait in the 21st century
Bayó Duran, Anna
2018-01-30T09:05:18Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149622021-07-01T10:18:18Zcom_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14962/ore.xml
2018-01-30T09:10:53Z
2018-01-30T09:10:53Z
DUGiDocs
La performance fotográfica digital y su condición repetitiva = The digital photo performance and its repetitive condition
Vega Mora, Brenda
2018-01-30T09:10:53Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149632021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14963/ore.xml
2018-01-30T09:19:37Z
2018-01-30T09:19:37Z
DUGiDocs
Presència de la fotografia i reflexió sobre la imatge en el cinema d’Agnès Varda = The presence of both photography Andrés musings about the image in Agnes Varda’s cinema
Merino, Imma
2018-01-30T09:19:37Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149642021-07-01T10:18:18Zcom_10256_8075com_10256_2943com_10256_1247com_10256_8749com_10256_329com_10256_2947col_10256_19759col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14964/ore.xml
2018-01-30T09:27:19Z
2018-01-30T09:27:19Z
DUGiDocs
Las imágenes en la promoción de los destinos de turismo religioso: el caso de Montserrat = The role of images in the promotion of religious tourism destination: the case of Montserrat
Aulet Serrallonga, Sílvia
Vidal Casellas, Dolors
2018-01-30T09:27:19Z
LICENSE
CC-LICENSE
ORIGINAL
oai:dugi-doc.udg.edu:10256/149652021-07-01T10:18:18Zcom_10256_1247com_10256_2943com_10256_8749com_10256_329com_10256_2947col_10256_1545col_10256_10899col_10256_14923RC2openaire_dataRC1CIRAXRC4RC3driveropenaireMD2MD1recolecta
http://hdl.handle.net/10256/14965/ore.xml
2018-01-30T09:35:59Z
2018-01-30T09:35:59Z
DUGiDocs
Voces de la memoria: fonografía y sonidos de guerra = Voices of memory: phonography and sounds of war
Pardo Salgado, Carmen
2018-01-30T09:35:59Z
LICENSE
CC-LICENSE
ORIGINAL